The following letter was discovered during Michael's annual pilgrimage to the long defunct Camp Crystal Lake. It appears to be a letter written by a young Jason Voorhees to his mother, Pamela Voorhees.
It was about three weeks ago when I first started watching my neighbor across the way. He looked like any other person in the neighborhood--maybe a little beardier than most--but a regular guy all the same. Normally, I wouldn’t have given him a second thought, only he crossed my sights more than the others.
Dan O’Bannon’s story is one of unabashed creativity and generic infusions, both in terms of hybridization and innovation. It is with this consideration and ambitions toward new horizons that we introduce the “Dan O’Bannon Other Worlds Austin Filmmaker Grant,” which we hope will allow burgeoning local voices representing the genres of SciFi, horror, and fantasy, an opportunity to bring those voices to fruition.
To this day, the visage of Freddy Krueger peers down at me while I sleep. A poster of the original A Nightmare on Elm Street signed by Wes Craven himself adorns the wall space above my bed, a meta-reconstruction of the famous scene from the film in which Freddy presses his face through the back Nancy’s bedroom wall. Yes, if I had to pick one of the many horror personalities and series that I devoured in my youth, Freddy and his nightmares on Elm Street would be hands-down my number one choice.
The definition of science fiction, perhaps more than other genres, involves a high degree of subjective reading. The question: “What is SciFi?” begs a multitude of answers. SciFi purists might argue that Alien and The Fly are horror films, more specifically monster movies, or hybrid narratives, at best, but not strictly science fiction. Yet, I posit horror and science fiction have been inextricably linked since at least the classic period. Furthermore, I would argue that SciFi has always assumed a hybridized stance.